Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
A Dutch Yacht and Other Vessels Becalmed Near the Shore

ID: 43190

unknow artist A Dutch Yacht and Other Vessels Becalmed Near the Shore
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unknow artist A Dutch Yacht and Other Vessels Becalmed Near the Shore


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unknow artist

  Related Paintings of unknow artist :. | Kinderbildnis zum Andenken an dieZwillinge Georg und Regula Rahn | Still life floral, all kinds of reality flowers oil painting 152 | Classical hunting fox, Equestrian and Beautiful Horses, 104. | Pa a un in Persian absconds law the muhammedanska cities Hormone dar they three Polo did one interlude | Arab or Arabic people and life. Orientalism oil paintings 55 |
Related Artists:
Konrad of Soest
1370-1422 German Konrad Gallery
Abraham Evertsz. van Westerveld
painted Cornelis Tromp in Roman costume in 1650-1692
Edward Arthur Walton
British Painter, 1860-1922 He trained at the Staatliche Kunstakademie in Desseldorf (1876-7) and Glasgow School of Art. One of the GLASGOW BOYS, he painted outdoors in the Trossachs and at Crowland, Lincs, with James Guthrie, Joseph Crawhall and George Henry. He also painted in W. Y. Macgregor's life studio in Glasgow. He joined the New English Art Club in 1887 and developed an atmospheric landscape style influenced by plein-air painting and by James McNeill Whistler with whom he was friendly during his stay in London (1894-1904); Autumn Sunshine (1884; U. Glasgow, Hunterian A.G.) is characteristic. Walton was a regular exhibitor from 1880 in both Glasgow, at the Institute of the Fine Arts, and Edinburgh, at the Royal Scottish Academy. He was elected an Associate of the Academy in 1889 and a full member in 1905, taking an active role in its affairs after moving to Edinburgh in 1904. He concentrated after c. 1885 on pastel and on watercolour, which he used notably in his Helensburgh and Kensington scenes of contemporary life. From 1915 he served as President of the Royal Scottish Water Colour Society. Oil was reserved largely for portraits in a Whistlerian style, such as the Artist's Mother.






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